If you haven't done so yet, go and download ThreadSpinner's EP (details at the band's website). It's inexpensive, well-produced, and full of gripping, inspiring tunes. This video project would have been a lot more difficult if I hadn't liked the music so much.
Because there wasn't much struggle in the idea phase for this one, and because the motif I had in mind seemed to match up okay with Sarah's suggested themes, this was the very first backdrop video I shot. Here's an excerpt from an email I sent the band describing the concept:
"I want to walk down State Street at night and then speed up the footage, maybe add some motion blur. I'll also walk on a trail in the woods under sunlight and give it the same sped-up treatment... and sort of blend them together, dissolving back and forth. It might look a little repetitive, but the frantic forward movement will suggest the kind of searching you describe, without distracting the audience from the music too much. When I'm on State, maybe I keep going all the way to the end of the wharf and end with a shot of the vast ocean. In other words, what we find at the end of the 'search' is a dark, blank canvas of possibility..."
I burned quite a few calories hoofing about six miles total with my camera pointed in front of me. Some of the walking footage was sped up to 1500% in post-production, so I needed a lot of it to cover a four and a half minute song.
The original cut was relentlessly fast-paced, but I ended up making some changes after hearing a live recording of the song and discussing it with the guitarist, Jon. The energy and tempo were slightly different in the live version; there was more "build." That was one thing I had to watch out for -- the songs would not be performed exactly as they were recorded. Jon eventually gave me some bootlegs from a practice session, and I worked on timing everything to them instead of the ones from the EP.
The revised video starts with an almost drunken, blurry-eyed stumble through a riverbed and gradually speeds up into a tear through town. In post-production I added the black, feathered border, giving the video a kind of tunnel vision, which was meant to tie into the lyrics about "tunneling through earthen promises." Near the end, the video turns into a big, chaotic blur before finding some peace in the darkness off a pier. It was another case where I had to loosen up on the editing and just let it flow.
Here's a quick look at the concert performance. This clip is from before things get really out-of-control. I was working on another clip from later in song, but the pieces weren't quite fitting together, so this will have to do.
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